What is it about a fragrance that makes us feel so special when we put it on? Perfumes somehow have the ability to make us feel more attractive and life more luxurious. Our response to the smell of designer perfume is visceral making us want to inhale more deeply or be sexually aroused. The only off putting factor of designer perfume can be the price particularly in Australia. That is why we have put together the best companies to buy cheap designer perfume.

Cheap perfume Australia
Scentsations.com.au offer the cheapest source of genuine designer perfume in Australia. The perfumes are 100% genuine, brand-new designer scents the same as you'd buy at any city department store, just much cheaper, and if you're not completely satisfied with the goods you receive then scentsations will give you your money back (subject to some obvious conditions).

The top selling perfumes are listed below click the links to find out more or you can find your designer perfume at www.scentsations.com.au

Australia's cheapest online perfumes from Scentsations.com.au

Perfume Empire
Perfume Empire say they will beat any other perfume price in Australia. Click the link or banner to find out more.

We won't be beaten on price! The Perfume Empire guarantees that you pay Australia's lowest price or we will beat any competitors advertised price.


The history of perfume
The history of perfume dates back to the discovery of the synthetic simulation of coumarin, an essential component of the tonka bean, prized for its sweet, nutty and smoky fragrance, in 1868. Another one of the most successful synthetic musks was a happy accident: A scientist discovered it while testing derivatives of TNT. It didn't blow things up, but it sure smelled good. Chemistry alone does not determine the success of a perfume. "Tocade is not a better fragrance than Dior Addict because it better approximates the mix of odours released by a fertile female," writes Sanchez. "Tocade is better than Dior Addict because it is more beautiful."

What makes a good perfume?
Perusing the five-star reviews in Perfumes, it seems that a good perfume is surprising, individual, abstract, witty, maybe ironic, complex (for example, Thierry Mugler's Angel perfume works because of the juxtaposition of cotton candy and flowers with a masculine patchouli), long-lasting, transformative (it somehow makes the wearer feel different).

These abstractions may sound difficult to grasp (How is a perfume ironic? you may ask), but Turin and Sanchez are at least worthy guides. They don't mean to scare readers away, but to help. The star system and the reviews point the reader in the direction of perfumes to try - and away from those to avoid.

Take Turin's review of Carolina Herrera's 212: "Like getting lemon juice on a paper cut." Then there's Miller Harris' L'Air de Rien: "It smells of boozy kisses, stale joss sticks, rising damp and soiled underwear. I love it." Describing what each scent smells like is a huge consumer aid - so you don't end up buying L'Air de Rien based on the high rating when soiled underwear really isn't your thing at all. Sanchez can be as ruthless and funny as her co-author, whom, incidentally, she ended up marrying after she'd completed this project.

But Sanchez's best reviews conjure the feeling of wearing a particular fragrance rather than just recreating a scent for us.

"I have worn it on and off for years," she writes of Chanel's Bois des Îles, "whenever I felt I needed extra insulation from the cold world." Do we need to know that Bois des Îles is a milky, rosy, ambery sandalwood? That it has a "delicious top note of citrus and rose, with the fruity brightness of a cola"?

Well, those descriptions help, but all we need to know is that sense of warmth and comfort Îles provides the wearer to know the emotional wallop a perfume can pack. And that is something all the chemistry in the world can't explain.